This may surprise you, but I do not own a single black suitcase. I only buy standout pieces, so I know they won’t get lost in the shuffle of the carrousel. When your bag is unique, people are less likely to mistake yours for their own.
I love Tom Ford’s version of the classic Hermès Kelly top-handle tote. A riff on the quintessential style, the Icon is still infused with his signature details, like an oversized zipper and well-placed, high-impact hardware.
Pushing the envelope is a must. As a designer, you should always strive to create something unique and personality-driven. But it’s possible to push the envelope past the point of no return. And as a designer, you should also know when to stop.
Forget beat-up flannels. This isn’t the grunge plaid of the ’90s we’ve become so re-familiarized with in recent seasons. Checkered lines have taken a polished turn, so think only chic and elevated for the new season.
If you know anything about me, it’s that I love a good exotic bag. But I understand the hesitation, as well as the primal fear that can come with the prospect of the purchase…
This Tod’s bag is so very interesting, but I’m not sure that’s entirely a good thing. Interesting doesn’t necessarily mean perfectly gorgeous. I do love the plump, rounded shape, but with the rounded flap to go with it and the rubber gommini outfitting the corners, this kind of looks more like an armadillo than a chic bag.